GIDEON BROSHY

gathers harpsichords, synthesizers, guitars, celestas, and pianos into bright, angular assemblages. Unfolding through improvised gesture and crystallizing into dense webs, his music attends to that strange and prolific seam between self and world — where people meet the social in a tangle of connections.

As a pianist, he has performed on NPR and at Carnegie Hall. As a composer and producer, he has worked with Sō Percussion, Roomful of Teeth, Matt Evans, and Wendy Eisenberg. His interdisciplinary work includes projects for dance, theater, film, and installation, at venues including the Yale University Art Gallery. Upcoming projects include an album of electroacoustic music and a score for Kali Castro Davis’ film The Last Goodbye, for claviset and guitars.

He's studied composition with Konrad Kaczmarek, Kathryn Alexander, Robert Beaser, Manuel Sosa, Matthew Suttor, and Benjamin Boyle, and piano with Wei-Yi Yang and Ernest Barretta. He graduated from Juilliard’s Pre-College Division and holds a BA in music and sociology from Yale, where he was awarded the Selden Memorial Award for music and the humanities, and an MSc in sociology from the London School of Economics.